Several major chapters make up the story of SKY
ART.
The first chapter begins in Hollywood in 1978, when, after many years
as a commercial artist, Karen painted a large scale backdrop for Braniff
Airlines. Over the next five years, Karen earned a living as a scenic
artist, painting sets and backdrops for use in television commercials,
and became known as a freelance sky painting expert.
In 1983, Karen partnered with Gary Lloyd to form SKY ART Scenic Art
Services; together they painted hundreds of stage cycloramas and backdrops,
developing a rental backdrop business that specialized in sky images.
During those years, Karen's skies appeared in television commercials,
on cassette covers, in motion pictures, and in fashion articles and
magazine ads - some even graced the covers of TIME and other national
magazines.
Gary and Karen's list of commercial clients read like a Who's Who: Walt
Disney Studios, Elizabeth Taylor, McDonald's, Toyota, IBM, ARCO, Chevrolet,
Miller Beer, Mattel
and their painted backdrops provided the staging
for numerous music videos behind star performers like Madonna, Sting,
Michael Jackson and the Pointer Sisters.
Karen left Hollywood for New Mexico in 1988. She started a new company,
SKY ART Karen Kristin, Inc., while Gary continued with the Hollywood
business as L.A. Sky Drops. Over the next year, Karen supplied backdrops
from her New Mexico studio to Gary for their Hollywood rental business.
Then, when they parted ways as business associates, she cultivated Caesar's
Palace as a client.
In 1991, SKY ART Karen Kristin was contracted to paint the sky for Caesar's
Forum, the new shopping mall attached to Caesar's Palace in Las Vegas.
This marked the actual transition from backdrops to murals, when, guided
by the vision of interior designer Terry Dougall, Karen and her associate
Chara Nelson, designed a spectacular sky painting
one that became
a trendsetter in the interior design industry. For this project, Liza
Callender, Alex Cowie, and Roger Zimmerman joined Karen and Chara to
form a team that went on to paint numerous large scale sky ceilings
over the next several years. In 1994, the SKY ART team expanded to include
Marti Kyrk and Ric Sprynczynatyk, and travel for projects extended beyond
Las Vegas to other cities and states.
Several years passed, and in 1998, the sky ceiling painting for the
Venetian Grande Canal Shoppes in Las Vegas was awarded to SKY ART Karen
Kristin; the team expanded once again to include Scott Buelow, Patrick
McClinch, and Evan Scully, and to re-include Gary Lloyd. The Venetian
project symbolized the creative culmination of the original SKY ART
team, because in1999 some of the original team members formed a separate
company in order to take on an international project in Tokyo. Meanwhile
Karen took a yearlong sabbatical from sky painting and traveled to China,
Tibet, South Africa and India.
Following her return from travel, Karen spent time in her own studio,
and in 2000, began work on a commission for Swami Sai Baba's Chaitanya
Joti Museum. She and her on-site assistant Priscilla Oby traveled to
India to install the murals and to continue on-site painting at the
museum. As larger projects were again offered over the next few years,
Karen reassembled members of the original team - Ric, Scott, Gary, and
Marti - and took on new members - Jennifer Callender as office manager,
Bruce House as painter and architect, Erin McCabe and Nikki Pike in
paint station positions, and Amanda Willshire as freelance computer
and design expert. The new expanded team completed ceilings at the Argosy
and Boulder Station casinos.
Currently, the core SKY ART painting team is made up of Karen, Ric,
Scott and Jennifer. Over the past few years, this team has completed
projects at Barsana Dham in India, at several PT's Pubs and Roadrunner
Restaurants in the Las Vegas area, at the airport in Bismarck, ND (the
hometown of both Ric and Scott), and at the Victory Church and the Mountain
High Casino in Black Hawk, Colorado.
Recently, SKY ART Karen Kristin has moved from the Denver studio/office
it occupied for many years and is now located in Cortez, Colorado. Over
the next few years we anticipate many exciting challenges, including
our biggest and most exciting project ever.